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Hey everyone, let's guide the Britpop Neophyte!

 
  

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Kit-Cat Club
16:09 / 28.01.02
Nooo... Perfume, I think, had a male lead singer...
 
 
Opalfruit
16:11 / 28.01.02
quote:Originally posted by Kit-Cat Club:
Powder!


Off the top of my head I remember were all lumbered under the Britpop banner also:-

Elcka
Stranglove
Symposium
Supergrass
Northern Uproar (They were shit)
Rialto
Ocean Colour Scene
Seahorses
The Boo Radley's
Kula Shaker
Gomez
Gene
Longpigs
Supernaturals
Teenage Fanclub

Anyone remember 'Gallon Drunk'?
 
 
rizla mission
16:15 / 28.01.02
What about the Bluetones?

I had a real soft spot for them .. bound to be forever classified as 'brit-pop also-rans', but I thought they had some genuinely good songs with a healthy dose of weirdness..
 
 
Saveloy
16:17 / 28.01.02
Gallon Drunk rocked mightily. They were pre-britppop, in the otherwise barren 91-93 period when all you had was Neds, the Levellers or Pearl Jam to choose from. *shudder*

See, I would have been one of those idealogically opposed to Britpop at the time, but looking back I have to admit that the radio sounded a fuch sight better than it did in the awful crusty years before.

[ 28-01-2002: Message edited by: Saveloy ]
 
 
Haus about we all give each other a big lovely huggle?
16:26 / 28.01.02
I saw Gallon Drunk live when they were pushing "In the Long Still Night". They rocked. Hardf.

In fact, "In the Long Still Night" and "Black Milk" still hold up very well today. If you like Londoners doing apocalyptic gin-sodden quasi-blues indie rawk.
 
 
Ethan Hawke
17:04 / 28.01.02
Hey, I'm an American and I lurvvvv Suede, however unfashionable that might be. Dog Man Star is a crackin' good album, and the first disc of the B-side compilation is also stellar. I think perhaps being over here you can actually appreciate them more, because we weren't deluged with hype about them and the "Blur v. Suede" wars.

And I have to agree with the Haus that they were far better than Sebadoh. I'm really glad Lou Barlow has finally disappeared into his own arsehole.
 
 
Y SO ALT?
17:43 / 28.01.02
Basically I think the good thing about Britpop (and Haus has covered a lot of what I wanted to say about the uses and abuses of the term) was that it (re?)introduced to the British 'indie' scene the following ideas:

1) Not only is it okay to sell as many records as possible, it is a desirable thing.

2) Not only is it okay to be stylish and good-looking, it is a desirable thing.

3) Not only is it okay to write extremely catchy and hummable tunes, it is a desirable thing.

4) The likes of Pearl Jam are awful awful shite.

It sure had its bad points though (a refusal to take anything seriously except itself, an obsession with surface, an obsession with the past, often a dreadful parochialism, a strong anti-political and anti-progressive streak in certain cases, I could go on...).
 
 
Not Here Still
19:34 / 28.01.02
I would contend that Britpop actually began with the dear, departed Selecty magazine's feature called 'The Brits Are Coming', which shot itself in the foot by giving the scene it had identified the crap name of Neo-Crimplenism.

And I do believe Sleeper haven't been mentioned yet...

[edited to say: Yes they fucking have. Bollocks, I do much better on a RoMo thread... Acvtually, no I wouldn't. I thought RoMo was shite...]

[ 28-01-2002: Message edited by: Not Me Again ]
 
 
Ganesh
00:52 / 29.01.02
St Etienne? They were there before and after, but their BritPop-era album was veeery self-consciously Lahn-dahn.
 
 
Y SO ALT?
13:01 / 29.01.02
I think I see St Etienne in general and So Tough in particular as sort of the glittering model of what Britpop should have been...

"Cigarette, cup of tea, a bun..."
 
 
Ganesh
16:16 / 29.01.02
quote:Originally posted by Flyboy:
I think I see St Etienne in general and So Tough in particular as sort of the glittering model of what Britpop should have been...

"Cigarette, cup of tea, a bun..."


Indeedy.

"A man could lose himself. Lose himself. Looose himself... LOSE HIMSELF IN LONDON!"
 
 
Y SO ALT?
16:25 / 29.01.02
That album has the best use of dialogue samples ever (apart from maybe The Holy Bible and anything by the Wu-Tang Clan).

"Do you think a girl should go to bed with a fella, if he doesn't love her?"

"Nah. Unless it's me."
 
 
rizla mission
16:26 / 29.01.02
quote:Originally posted by TheRealEvilFakeTodd:
I think perhaps being over here you can actually appreciate them more, because we weren't deluged with hype about them and the "Blur v. Suede" wars.


I think I must have been on r'n'r during that one..

quote:Originally posted by Not Me Again:
. I thought RoMo was shite...


I thought it was completely non-existent.
 
 
Janean Patience
13:48 / 23.04.07
The return of Britpop for a number of reasons. Firstly I got a lift down to London at the weekend and the car only had a tape player, which means that you're cast back to the years when the driver still bought/made tapes. That made this particular car Britpop on wheels. We settled on a lovingly pause-buttoned compilation of tracks from about ten years ago.

I thought little of it at the time. I was more concerned about the wedding we were going to be seven hours late for. But today, somehow, the chorus of Sleeper's Sale of the Century has affixed itself to my head and is making me want to cry. I'm shot through with nostalgia that isn't even real; I wasn't into Britpop, though I liked a few of the bands and owned that Union Jack issue of Select. Something about the indie innocence of the song, its intention to capture nothing more than student yearning for student, has me hooked.

My household only recently got a car and we've found that compilations provide a better soundtrack for driving than albums. One of our favourites, The Sound of the Suburbs, has been resurrected. And the music of that particular period, post-punk pop, the juxtaposition of one-hit wonders and bands which are now described as seminal, seems to have much in common with the Britpop era.

So. To get finally to the point. I'm going to have to assemble a Britpop compilation for the car. What should be on it? What are the classics, major and minor, of the period and which bands were merely concurrent? Suggestions please.
 
  

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