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Damn...Kafka on the Shore was good! It's stylistically closer to Wind-up Bird, given the alternating narratives and weird dream-like qualities. It was brilliant, but I think suffered a little with the Nakata-Hoshino angle, not that it wasn't good, but detracted from the clearly more poignant story, that of Kafka and Saeki.
Loved the military reports and the town for lost souls. The "entry stone" and the white worm were too out-there and lacking subtlety compared to Kafka's journey in the woods, but made some sense regarding "Johnnie Walker's/Kafka's dad" plans. It reminded me of Wind-up Bird, where the protagonist clubs his brother in law to death in a dreamscape, because he was an evil spirit or somesuch.
I still rank Norwegian Wood and South of the Border, West of the Sun as his best books, since they seem to be stripped of most of the magical aspects that permeate the other books. It's not that I don't like them, since both Kafka and Wind-Up Bird are all-encompassing works with metaphysical needs, but I tend to like the character-driven stuff more. |
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