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Rebuild of Evangelion

 
  

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El Directo
16:17 / 02.05.08
It's a very common problem with internet connections, from what I understand. Even though you pay for broadband speeds it detects the kind of stuff you're using it for and decides that you're naughty and shouldn't have nice things.
 
 
Caramel Danson
(prev. Transfer: Speedsubs Specialist)
16:29 / 02.05.08
There are also people who have the poor luck to have their internet provision via a university, who frown on P2P usage.

My ISP wrote to me recently, after my having been on probation for about three months for 'violation of Fair Use policy' (78Gb in one month is too much it seems), to tell me as I'd been so well behaved I was now entitled once again to have the download speeds I'd actually been paying for. Not that it made a huge difference while it was going on, I just cut down on streaming video and got up earlier to download Bleach.

Meanwhile, the quest for a semi-decent raw-and-sub file combo of this movie continues.
 
 
uncle retrospective
20:16 / 02.05.08
As apt as it can be for a film called you are (not) alone I just downloaded this at a friends house. I'm almost scared to watch it in case it's crap. But Yea!
 
 
uncle retrospective
15:32 / 03.05.08
OH MY GOD!
That was beautiful. So, So pretty. More thoughts later and thanks again for the torrent.
 
 
Caramel Danson
(prev. Transfer: Speedsubs Specialist)
00:42 / 11.05.08
SPOILERS

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I just watched Rebuild Part One and was very surprised. Being so very familiar with the TV series meant that I was a little disappointed that the movie appeared to be such a faithful retread of the first half-dozen episodes, shot-for-shot at times (albeit looking gorgeous in places thanks to the higher budget - Misato's Lookout Mountain moment at sunset with Shinji over Tokyo-3 really has the impact it deserves here) and with precious little of the varied focus we seemed to have been promised. Much in the manner of the original compilation movie Death & Rebirth, a chunk of character development felt skipped over, the relationships between Shinji, Kensuke and Touji in bearing the cost of a shortened running time - one thing impossible to replicate in the space of a movie's length is the strong, arid sense of little happening, of killing time while on the shelf between missions, of being unwanted and unmissed that puts the viewer so firmly in Shinji's perspective during the first act of the TV series. I wanted to watch that dumbass B-movie propagandization of Second Impact, see that camping trip with Kensuke again, and the reunion with Misato - highlights of the emotional journey of Eva that I didn't want missed out.

[Start playing 'Nightmare' by The Pillows here]

[+] [-] However -
 
 
PatrickMM
20:10 / 11.05.08
I reviewed the film here, and I pretty much agree with Danson's take. It took me a bit to get into the first half, and even though I liked it, I was wondering whether the project really needed to exist. But, I got more into the film as it went on, and the second half just flew by. I particularly love the subversion of emotional expectations when Shinji succeeds in defeating the Angel, but it doesn't matter at all, he's only spiraling deeper into depression.

The major thing missing is definitely that feeling of everyday life, and time passing. As much as I found the school scenes annoying and frequently nonsensical in the original series, I think they grounded the characters in a more relatable place. At first, I was confused about why these fourteen year old kids were piloting Evas and going to a regular school, but once we learn that all the kids in the school are potential Eva pilots, it makes a lot more sense. It's the illusion of normality.

I don't think this will supplant the series, but it's an interesting supplement, and I'm curious to see how Kaworu fits into the second movie, as well as how they present Asuka this time. She was always my favorite character, and her entrance into the series really cemented the characters. I liked the mood and feel of the first few episodes, but Asuka made understand the characters.

And, much as I might criticize elements of the film, Anno is doing something totally different from any other filmmaker out there. His ability to show the subjective experience of his characters, particularly Shinji in this film, is unparalleled. We're in their heads, experiencing all the emotional contradictions that real people feel. Movies are all about connecting external achievements to the resolution of internal issues, but that's not exactly how it is in real life. Shinji can stop the Angel, but that only makes him feel worse since it proves that the only reason people love him is because he pilots Eva. Can they ever love him just for who he is? I guess that depends on which ending of the series you consider the true one.
 
  

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