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Anybody listen to asian music on this site?

 
  

Page: 12(3)

 
 
yichihyon
12:03 / 23.04.08
Phantasmagoria

Phantasmagoria is a recent band that emerged onto the scene and then abruptly left. They haven't released a full length album except their album they released stateside called Splendor of Sanctuary. They only released cd singles of their songs with dvds on the label Undercode. They are a Visual Kei band with the distiction of some new wave keyboards and hard rocking guitars and they are awesome! I am really liking what I hear from this band. You can tell I go for the heavy metallic type guitars since I like fiddling on the guitar myself. To describe their sound is Neo Metal with awesome nightmarish type keyboards. The keyboards are like from the netherlands of ghost type of music. All I can say is I'm really liking what I hear. Their music videos are awesomely produced and nice to watch. It's like watching a big budget horror movie with ghosts in it.

Phantasmagoria will reform abruptly for the Hide memorial Concert in Japan. I wish I could go to that event but I'm broke and can't right now. Japan is an expensive journey even from Korea where I am typing at this moment teaching abroad. I hope Phantasmagoria reforms soon because I miss hearing their cool songs. Here's a sample of their music videos and them live.

Phantasmagoria - Never Rebellion
Phantasmagoria - Mikansei to guilt
Phantasmagoria - Kamiuta
Phantasmagoria - Unknown Zero Distance
Phantasmagoria - ...Lost in Thought
Phantasmagoria - Material Pain
Phantasmagoria - Fairy Times Memory
Phantasmagoria - Nil Frontier
Phantasmagoria - Neo Ark
Phantasmagoria - 狂想曲~Cruel Crucible~live
 
 
grant
19:50 / 23.04.08
What is a "Visual Kei" band?
 
 
yichihyon
02:14 / 24.04.08
Here is a description on Wikipedia.org:

Visual Kei (ヴィジュアル系, vijuaru kei) refers to a movement among Japanese musicians, that is characterized by the use of eccentric, sometimes flamboyant looks. This usually involves striking make-up, unusual hair styles and elaborate costumes, often, but not always, coupled with androgynous aesthetics. Some sources state that Visual Kei refers to a music genre, or to a sub-genre of J-rock (a term referring to Japanese rock in general,with its own particular sound, related to glam-rock, punk and metal, and with strong emphasis on its unique style of dress; and some sources state that Visual Kei's unique clothing and make-up fashions, and participation in the related sub-culture, is equally as important as the sound of the music itself in the use of the term.

Visual Kei has enjoyed popularity among independent underground projects, as well as artists achieving mainstream success, with influences from Western phenomena, such as glam, goth and cyberpunk. The music performed encompasses a large variety of genres, i.e. pop, heavy metal and electronica. Magazines published regularly in Japan with Visual Kei coverage are Arena 37°C, Fool's Mate and Shoxx. Noted bands who at least at some point sported a Visual Kei theme include Dir en grey,Luna Sea and Malice Mizer.

Popularity and awareness of such groups outside of Japan is sparse, but has seen an increase in recent years. While the successful X Japan launched an attempt to enter the international market as early as 1992, it would still take another decade until live concerts and regular domestic releases by Visual Kei themed bands in Europe and North America came to pass.

History
Visual Kei emerged in the late 1980s, pioneered by the band X Japan, along with others such as D'erlanger and Color, who are regarded as influencing the fashion and music associated with Visual Kei bands. X Japan's drummer Yoshiki Hayashi used the term to describe the band's slogan "Psychedelic Violence Crime of Visual Shock".

Color vocalist "Dynamite Tommy" formed his record company Free-Will in 1986, which has been a major contributor in spreading modern Visual Kei outside Japan.

In 1992, X Japan launched an attempt to enter the European and American markets, but it would take another 8 years until popularity and awareness of Visual Kei bands would extend worldwide.

In the mid 1990s, Visual Kei received an increase in popularity throughout Japan, when album sales from Visual Kei bands started to reach record numbers. The most notable bands to achieve success during this period included, X Japan, Glay, Luna Sea, and L'Arc-en-Ciel, however a drastic change in their appearance accompanied their success.

During the same period, bands such as Kuroyume, Malice Mizer, and Penicillin, gained mainstream awareness, although they were not as commercially successful.

By 1999, mainstream popularity in Visual Kei was declining, X Japan had disbanded, and the death of lead guitarist Hideto Matsumoto in 1998 had denied fans a possible reunion. It wasn't long before Luna Sea decided to disband in the year 2000, and L'Arc-en-Ciel went on a hiatus the same year.

In 2007 the genre has been revitalized, as Luna Sea performed a one-off performance, and X Japan reunited for a new single and a world tour. With these developments, Visual Kei bands enjoyed a boost in public awareness, described by the media as "Neo-Visual Kei".

Harajuku, cosplay and gothic lolita subcultures
Visual Kei is associated with Harajuku. In attendance one will find Visual Kei cosplayers (those dressed as their favorite bands) and those in the subculture known as Gothic Lolita based on Lolita fashion.

Often fans of such bands also will dress up for concerts, meet ups, and other events where they'll see other people who enjoy Visual Kei.

AS A SIDE NOTE I THINK ONE OF THE FIRST VISUAL KEI BANDS WERE DEAD END. THE TERM VISUAL KEI HAS BEEN USED ONLY RECENTY. AND DEAD END HAS BEEN AROUND LONGEST OF THEM ALL WITH A STRIKING VISUAL LOOK BY THE LEAD SINGER MORRIE.
 
 
yichihyon
06:17 / 27.04.08
D'erlanger - La Vie En Rose their 1st album's cover
D'erlanger - Basilisk their 2nd album cover

I 've been a fan of D'erlanger with the release of their album Balislisk in 1990 and I picked up La Vie en Rose after which was released in 1989. Before that metal ruled, but with D'erlanger their music dubbed SADISTICAL PUNK explored new sounds in my brain which were pleasing and open a whole new realm of music that can be written in different ways. With D'erlanger to describe their music is Neo Noise Punk.

The members Kyo (磯野宏 – vocals, Cipher (瀧川一郎 – guitar, Seela (中尾朋宏 – bass guitar, Tetsu (菊地哲 – drums approached music in indifferent intelligent ways experimenting with awesome tight explosive doubling drum beats of Tetsu and active bass lines within the song and the Neo Noises from the Guitar of Cipher. They weren't exactly punk rock and they were difinetly not Metal but rather a new offshoot of super cool music in Japan with other bands like Dead End which were exploring. Kyo at times sounds like Johnny Rotten of the Sex Pistols but with his own twist backed with newer noizes and aesthetics in music that was pleasing to my ears that later people would dub Visual Kei.

Visual Kei was a movement that exploded in Japan much like the movement of Grunge exploded in the States later but I think the Japanese were first to be a bit experimental to new bands first and opened up the realm of Visual Kei before their Stateside cousins Nirvana and the whole Seattle Crew unleashed themselves in 1991.

D'erlanger - La Vie en Rose
D'erlanger - Incarnation of Eroticism
D'erlanger - An Aphrodisiac
D'erlanger - After Image
D'erlanger - Dummy Blue
D'erlanger - 1999 Shy Boy Story
D'erlanger - 柘榴
D'erlanger - 月光
D'erlanger - Dear Secret Lover
D'erlanger - Lullaby
D'erlanger - Moon and Memories
D'erlanger - Darlin'
 
 
yichihyon
08:24 / 27.04.08
Malice Mizer

Malice Mizer is like listening to Nightmarish French Baroque Classical Organs with break your own neck breakneck speed of Speed Metal intertwined with Visual Kei type sounds. They are influential to many of the Visual Kei bands like Schwartz Stein and Kaya and they have had many offshoot projects with Mana the guitarist leaving the band to form Moi Dix Mois and after Gackt the lead vocalist left to form his own new inspiring solo project Gackt.

from Wikipedia: Malice Mizer (マリス・ミゼル; Marisu Mizeru) is a Japanese rock band and part of the country's visual kei movement. They were active from August 1992 to December 2001. Formed by Mana and Közi, the band's name stands for "malice and misery", extracted from, "nothing but a being of malice and misery" — their reply to the question "what is human?". Their earlier music and themes were characterized by their strong French and classical influences, later moving away from deliberate French romanticism and incorporating Gothic-Victorian aspects after several tragedies befell the band. Despite the stated archetypes, Malice Mizer is best recognized as a thoroughly original entity.

Malice Mizer are as famous for their music as for their live shows, featuring lavish historical costumes and stage sets, short silent theatre pieces preluding various songs, whimsical dance routines, and even a particularly notable instance of the vocalist descending to Earth (the stage) as a fallen angel, only to ascend again at the end of the concert. Throughout their history, the band has gone through several different lineups and three drastic image changes.

On December 11, 2001, it was announced that Malice Mizer would go on an indefinite hiatus.

Malice Mizer - Beast of Blood
Malice Mizer - Regret
Malice Mizer - Illuminati
Malice Mizer - Le Ciel
Malice Mizer - Bel Air live
Malice Mizer - Transylvania
Malice Mizer - Ma Cherie live
Malice Mizer - sans retour Voyage - N.P.S N.G.S.
Malice Mizer - Kyomu No Naka De Yuugi
Malice Mizer - Hamon / Kyosokyoku [1/2]
Malice Mizer - Hamon / Kyosokyoku [2/2]
Malice Mizer - Au Revior live



Gackt - Moon album cover

Gackt when he went solo explored new facets of music that didn't sound like Malice Mizer at all. Gackt went on to newer boundaries and explored newer sounds that is leading a new fan base for Japanese Rock not exclusive to Japan. He has a rabid following worldwide not only in China and Korea explaining that good music transcends boundaries.

I found out about Gackt after seeing his video for Secret Garden and I got his album Mars after that and I was hooked. Afterwards I got his later albums Crecent and Moon and Diablos which are equalling stunning and impressive. I think Gackt is exploring new ways for Visual Kei to remain vital. I don't know if he is a Visual Kei artist anymore but his music speaks for itself, amazing, exciting, tragic, enthralling and captivating.

I think Gackt is one of the new legends for Japanese Rock. He explores a heavier rockier side that reaches for the new with a gentle compassionate ballad side to his music that makes it so dynamic and vernerable to listen to. I especially like that all his ballads don't sound the same as well as his rocking moments. I think if you'd try one Japanese artist to listen to you should listen to Gackt.

Gackt - Secret Garden
Gackt - Mizerable
Gackt - Freesia ~Op. 1 & 2 (live)
Gackt - Illness Illusion live
Gackt - Ares & Asrun Dream (live)
Gackt - 月の詩
Gackt - 星の砂 (Hoshi no Suna)
Gackt - Blue
Gackt - Lust for Blood (Diablos Tour 2005)
Gackt - Noesis Live
Gackt - Ash Live
Gackt - Longing
Gackt - Redemption


Moi Dix Mois - Dix Infernal album cover

From the ashes of Malice Mizer Mana the lead guitarist formed Moi Dix Mois and they explore the Malice Mizer type sound more with Moi Dix Mois. I kind of like the Nightmarish Baroque Classical organs with the Neck Breaking Speed Metal riffs of Mana. And the vocals of Juka who does a brilliant replacement job for Gackt are stunning and captivating.

They have gotten some fans in Europe and toured there giving an opportunity for foreigners to start listening to Asian Rock.

Moi Dix Mois - Monophobia
Moi Dix Mois - Mephisto Waltz
Moi Dix Mois - Shadow's Temple
Moi Dix Mois - Nightbreed
 
 
yichihyon
11:13 / 27.04.08
雅-miyavi's THIS IZ THE JAPANESE KABUKI ROCK-(初回限定盤album cover

Here is Miyavi with his Neo Visualizm style of rock. I belive he is setting new standards to where new Japanese rock is going towards. A more of a percussive groove oriented style with fusions and cohesions of dance and hip hop.

An interesting note. He is half Japanese and half Korean but in Japan Japanese musicians who are of mixed blood, in Japan some don't even get resident status because of mixed blood and some are excluded from getting better paying jobs in Japan because of mixed blood, hide their racial backgrounds and downplay their mixed heritage. The only jobs mixed blooded Asians can get are jobs as musicians whose status in society in the past carried a stigma of low status people. This information was relayed to me by a Korean, I don't know if it is that true or not but Miyavi is one of the musician artists that carry mixed blood origins.

I think they don't care of mixed blood heritage and downplay it and consider themselves more Japanese than Korean since they speak in Japanese and in effect they are Japanese now. In Korea though, these musicians find newfound respect in their society. In Korea's past Japanese music was strictly prohibited, only recently have they allowed Japanese imports and the Koreans you can feel are somewhat jealous that Japan excel in other areas that Koreans don't excel in.

雅-miyavi - 咲き誇る華のように -Neo Visualizm-
雅-miyavi - Pop is Dead.
雅-miyavi - Freedom Fighters
雅-miyavi - 素晴らしきかな、この世界 -WHAT A WONDERFUL WORLD-
雅-miyavi - Kabuki Danshi (歌舞伎男子 [PV]
雅-miyavi - senor senora senorita
雅-miyavi - Girls be ambitious〜SAMURAI SESSIONS
雅-miyavi - Selfish Love
雅-miyavi - GigPig
雅-miyavi - Shindemo Boogie Woogie
 
 
yichihyon
04:54 / 30.04.08

Uhm Jung Hwa (엄정화 - Invitation cover

I had the pleasure of meeting the beautiful Uhm Jung Hwa through a friend who is now a VJ at Mnet, the Korean equivalent to MTV, about wow 11 years ago. She was partying with him and another VJ Chae Holly trying to promote her album. He invited me to go to a club and we drank, sang and danced the night away. The Korean music trend shifted with melancholy type ballads, rock, and dance strictly to Korean Hip Hop and dance after the huge influnce of SeoTaiji and the Boys.

I didn't know who Uhm Jung Hwa was because I was a temporary exchange student from UCLA studying abroad in Korea at Yonsei University. All I know was we were partners in a game of a Karoke deathmatch type game on the Karoke where it goes on random and you have to sing along to the songs playing or drink til you puke. What was amazing was that Uhm Jung Hwa knew most of the songs! I sang a Korean song and Tears in Heaven by Eric Clapton I remember. Anyways after seeing the release of her 1st music video on her 2nd album I was stunned by her beauty.

She is dubbed the Korean Madonna, due to her racy image, and alot of Korean Pop divas want that crown and the racier and more talented they are becoming they might gulp succeed. Suprisingly she doesn't sound like Madonna at all. I think her voice color and range is more Janet Jackson than Madonna. She is also multitalented being an actress first and foremost then branching into music and into fashion with her own line of clothes!

The Korean music industry is now hurting due to illegal MP3 downloading my friend told me. (I hope this doesn't happen to the American music industry or other Music industries so I am a firm believer in supporting the artists you like by buying their cds.) Lesser known Korean artists only release one music video off their entire album if any at all and sometimes it doesn't show their greatest songs on the albums. I know because Uhm Jung Hwa has songs on her albums that are just as good as her singles or even better. Unlike some Korean artists which I think are stuck in the homogenous sound of dance without exploring new possiblities with music with no individuality of their own and them only looking for one huge hit, her signature sound is Electronica nowdays and some of her songs have flourishes of Spainish guitar, guitar and rock guitar. She is heavily influenced by dance, hip hop and techno. She experiments with guitar type songs as well as well as exploring for newer sounds. She won several awards for efforts and her songs were extremely popular with the release of her 3rd, 4th, and 5th albums. She also collaborated with Jinusean with their hit Speak to Me.

Here are some of her performances and videos after the 11 years I first met her.....

Uhm Jung Hwa 엄정화 - Invitation 초대
Uhm Jung Hwa 엄정화 - Eros
Uhm Jung Hwa 엄정화 - Song of the Wind 바람의 노래
Uhm Jung Hwa 엄정화 - Cross 크로스[2000 dream concert]
Jinusean feat Uhm Jung Hwa - 말해줘 Speak to Me
Uhm Jung Hwa 엄정화 - Scarlet
Uhm Jung Hwa 엄정화 - Poison
Uhm Jung Hwa 엄정화 - Betrayer of the Rose 배반의 장미
Uhm Jung Hwa 엄정화 - Teum
Uhm Jung Hwa 엄정화 - Hide and Seek
Uhm Jung Hwa 엄정화 - Cum2Me - TVN perf
Uhm Jung Hwa 엄정화 - House Mix live performance on Mnet a medly of her some of her songs
 
 
yichihyon
05:47 / 30.04.08
cover of Mina's (미나 - Minastasia

I think some of the problem's plaguing the Korean Music industry is 1st the illegal downloading of music where low cd sales is making it not feasible to make money in the music business, not showing off newer showcases of songs that are not just singles. In Korea, Korean concerts they have group concerts that don't have musicians playing at all rather just playback music where the singers perform and sing. Some even lipsync and artists don't have time to perform other songs on their albums because they share time on a concert with other performers and all they have time for is only 2 or 3 songs even for major artists!

Artists like Uhm Jung Hwa and Mina and U;nee who I believe are really talented don't play other songs on their album even if they are really good! It's a shame because I would like them to play other songs on their albums because they are really neat! Some branch out to other countries like China and they receive a warm reception and breaking new ground in having Kpop heard. I was even amazed to see Mina in China perform other songs she normally don't perform!

Mina with Jet Li!

I would encourage Korea to expand their musical vocabulary and the musical vocabulary of others by experimenting and creating new ways of playing and create new music that can be log the musical encyclopedia as something new rather than being stuck in the mindset of if you heard one Korean song you heard them all. Even their ballads now days are somewhat bland and homogenous. Musicians don't give up even if the music industry isn't paying that much now days because Koreans loving illegal downloads of songs and movies feeling they don't have to pay for it because everyone does it. It only hurts! I can't find cds of Korean artists that I want now because they don't even keep them in print.....It's been heading for a downward spiral for a while now......

But there is hope as long as Koreans create good new music people will hopfully buy. Here is a sample of some Korean music I am digging at the moment. Hopfully I will be able to find them in Korean record stores in 3 or 4 years down the road still because being a musician in Korea looks bleak.

Mina Belly dancing live in China
Mina - 2 live in China
Mina - 3 live in China
Mina - 돌아 live in China
Mina - The Phone call live in China
Mina - Jjang (KMtv Show! Music Tank)
Mina - Look

PDIS - 끌려 MV
PDIS (ft. May Doni) - 끌려Attraction(Mar 8, 2008)

Epik High - Fan MV
Epik High - Fan live[SBS Inkigayo 07.02.04]
 
 
Punji Steak
12:57 / 30.04.08
This has to have been possibly the best response to a request for further information/better posting I have ever seen on Barbelith or any other forum. This isn't a post, it's a book, with pictures too! I look forward to reading in depth...
 
 
Soylent Sauce
21:24 / 30.04.08
I'm pretty into Susumu Hirasawa, a Japanese electronic musician who I'd describe to hard sells as what might happen if Aphex Twin, Throbbing Gristle, Suede, pre-pop U2 and the composers of the Katamari Damacy soundtracks were ever to sit down and write a collaborative sci-fi opera with classical overtones. Except that none of his music sounds anything like that.

Hirasawa composes the great majority of his music on an Amiga. He employs a Yamaha Miburi in live shows. He incorporates strange and innovate theatrics into his concerts; his World Cell show revolved around a vaguely cyberpunk, surrealistic plot in which a screen behind the performer projected a CG narrative. In order for the "plot" to progress, Hirasawa had to cross several huge valleys, with the help of audience members on laptops or watching at home fiddling around with a "bridge-building" program on the concert's website. He's known for being very politically outspoken on the plight of folks in the Asian developing world and US/British foreign policies. He's sometimes called "the boy with the golden voice." His work is a mish mash of classical (both Western and Asian), electronic, industrial, pop, dance music, progressive rock, and opera. He scores Satoshi Kon movies a lot.

He also has interesting ideas that touch more on spiritual, psychological or symbolic realms. He seems fascinated, not so much by the potential for computers as a spiritual tool, as our media/art's portrayal of computers as a supplement to the mystical experience:

I have learned an archaic world view from technology, but then I try to fill up the present with learning about the spiritual field. The interesting thing is, that sometimes a computer give us a mythological projection as well as a scientific one. The process where matter is disposed in an unknowable way via a small box and the result given, may create an impression that it is like a mysterious box which performs a secret ritual of metamorphosis. Also when "Cyberspace" is visualized in sci-fi films, the psychedelic visuals or its analogies used suggest "supra-existence." Our subconsciouses may be projecting a primitive figure of the universe that our ancestors had understood, as a religious experience into the area called Cyberspace, where data, which has no physical body, exists above the restriction of time and space. Now, in this time where we are trying to restudy our lost-world view and spiritual activity under such names as the Ecology movement and New Age movement, I think the computer is also a tool which gives us important feedback of ancient spiritual activities which lurk in our subconscious.

His influences include,
Kenji Miyazawa, Nikola Tesla, many pioneers in quantum theory, Carl Gustav Jung, and she males in Thailand.

He is a beautiful human being.

Linky linky:
World Cell, the official MP3 page.
A nice interview giving more detailed descriptions of Hirasawa's thoughts on computers, and the World Cell interactive concert thingie.
Ride the Blue Limbo
Hansen 108 (Not actually a video, but one of my favorite tracks, sooo...)
Rotation (LOTUS-2)
TOWN-0 PHASE-5
The Girl in Byakkoya
 
 
ninjalie
22:12 / 30.04.08
Yes! Some of the Asian Musicians/Bands that I like are, Shiina Ringo, Rip Slyme, Fantastic Plastic Machine, Jaurim and many others. I've been wanting to get more into Japanese Hip-Hop but I haven't found much that really suits my taste, most of it seems to mirror the same crap they play on MTV here. I want the goods on good underground Asian Hip Hop!
 
 
yichihyon
06:56 / 08.05.08
I really like the bands that you all recommended!

Susumu Hirasawa has a very eclectic and distinct sound and it's great what he does and he truely goes to the way of a musical "artist" which few brave musicians are brave enough to go.

I really like Shiina Ringo too, she it seems is an unique artist that likes to experiment on top of that she is good looking.

I like Rip Slyme too. He it seems has a unique style that is his and isn't exactly a copycat who sounds like others. It seems he developed a signature style and I admire that alot now days where musicians tend to copy other artists and where they begin to sound like clones of one another without adding something new to the recipe or developing their signature sound which is as distinct as their handwritting......
 
 
yichihyon
08:10 / 08.05.08
Some YG Entertainment Musicians

Asian hip hop artists I like and recommend, being in Korea and listening to Korean music off and on for a while now, I can only recommend the songs I like listening to and that tends to be pop dance and when they write a good pop song boy can they write a good pop song! Well in my auditory senses anyway.

Having said that, I like the artists and what YG entertainment has been releasing. And from what I heard, I like Drunken Tiger alot, also.

YG Entertainment was started by one of the Korean Legendary Musicians of the dance and hip hop field, Yang Hyun Suk, who was a member of Seo Tai-ji & Boys, the inspiration and standard for what Korean Hip Hop is measured today.

It's interesting to note that Seo Tai-ji started out as a bassist and was in one of incarnations of the 1st Korean Heavy Metal band Sinawe and one of Seo Tai-ji and the Boys first hits has guitar from Shin Dae Chul the guitarist for Sinawe. Seo Taiji is now a huge musical artists with varying styles and experiments with new sounds and music and has a huge, huge Korean following.

YG Entertainment have alot of artists under their label and they help produce and promote a few imensely popular groups and musicians in Korea. To name a few, YG family, Perry, Jinusean, 1TYM, Se7en, Lexy, Masta Wu, Stony Skunk, and Big Bang. Some sampling of their work is linked below...

Drunken Tiger is a Korean hip hop I dig. I think Koreans really respect their talent and street level view and attitude.

Seo Taiji and the Boys - Nan Arayo, Hayeoga
YG Family - Famillenium
YG Family - Fine Gentlemen
1Tym - Hot du guh
1Tym - 쾌지나칭칭
1Tym - 1Tym
1Tym - Nasty
Perry - Storm
Perry - ft. YG Family- Get Ready
Jinusean - Gasoline (가솔린 MV
Jinusean - Jinusean Bomb & Gasoline [KBS '97]
Jinusean - Telephone Number
Jinusean - How Deep is Your Love?
Jinusean - A-yo
Jinusean - Taekwon V
Se7en - Lalala
Se7en - Passion
 
 
yichihyon
16:34 / 08.05.08
Drunken Tiger - Return Of The Tiger
Drunken Tiger - I Want You Naughty
Drunken Tiger - Good Life
Drunken Tiger - 8:45 Heaven
 
  

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